Category Archives: News

Jam of the Day – Returning to the Space Oddity

Today marks the 40th anniversary of the first man walking on the moon. Neil Armstrong and the crew of the Apollo 11 completed this awesome feat back in 1969 and, by some assessments, astronauts in the United States space program haven’t surpassed this achievement since. NASA is still trying to return humans to the moon, but before they get the funding, the Obama administration has put together a panel of independent space experts to evaluate the current condition of NASA’s human spaceflight program. The panel will make their recommendations at the end of the summer, but the federal deficit, and other programs like health care, will most likely get any available funding first. Although they may not get the necessary dollars anytime soon, NASA plans to eventually create a “moon base” that would allow astronauts to practice living on another planet, an experience that space crews would need before heading to explore other planets like Mars. According to NASA.gov, “As the space shuttle approaches retirement and the International Space Station nears completion, NASA is building the next fleet of vehicles to bring astronauts back to the moon, and possibly to Mars and beyond.”

Today’s Jam comes to us from David Bowie, who rushed the release of his single, “Space Oddity,” back in 1969 to coincide with the first man landing on the moon and all of the surrounding buzz and excitement. The exposure that the song received gave Bowie his first big hit when it reached the top five on the UK singles chart that fall. When Bowie re-emerged in 1972, as his androgynously flamboyant alter-ego, Ziggy Stardust, the album was re-released with the title “Space Oddity,” and a new video was included as part of the makeover.

To celebrate the 40th anniversary of “Space Oddity,” Bowie is re-releasing the EP on iTunes along with a new “Space Oddity App” for the iPhone. The application allows you to create your own mixes of the song and save them. If you don’t want to bother with anything as complex as sliding faders you can just shake your iPhone and it will create a brand new mix for you. Although nobody could improve on the original, many have tried including Cat Power, who did a teaser of a cover of this song for Lexus (that could have been awesome had it been longer than 30 seconds), and Shiny Toy Guns, who released an excellent response song, “Major Tom,” in 2008.

David Bowie – Space Oddity:

-Melissa

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Jam of the Day – Looking at Beef Through a Power Theory Matrix

***JOTD Update – This is in response to my post on June 30, 2009 regarding Jay-Z – D.O.A. (Death of Autotune)***

Our good friend Joshua Hersh recently brought to my attention an article from Foreign Policy magazine that has been generating a lot of varied reactions online and has been making its way around international policy circles. The article in question, “Jay-Z vs the Game: Lessons for the American Primacy Debate” by Marc Lynch, has spurned so many reactions that they set up a second post just for the “reaction highlights.”

The article quite cleverly explores the recent beef between The Game and Jay-Z within the framework of international relations and various theories on power. In this context, Jay-Z is imagined as a hegemonic, world-dominating power on par with the United States, with The Game a mid-level actor attacking the dominant king for his perceived abuse of power in dissing so many top rappers in his most recent single, “D.O.A. (Death of Auto-tune).” In this “‘power transition narrative” (which, Lynch is quick to point out, seems like an oddly-timed power grab, given that Jay-Z “hardly looks like a declining power” right now), The Game is hoping to exploit Jay-Z’s position as an establishment figure, painting him as a tyrant wrongly using the influence of his “alliance structure” to further his aims at the cost of more mid-level powers (e.g. Jay-Z’s rumored hand in preventing Chris Brown from performing at the BET Video Awards). In this narrative, The Game hopes that his public outcries against Jay will become the rallying cry that galvanizes similar mid-level powers to back his coup attempt.

Most of the comments that I have seen have either been expressions of outrage that such a topic could be written about in serious journalism outlets, or thoughtful and funny responses such as this post by Jonathan Wallace in The Washington Note with a picture of Obama, well, brushing his shoulder off, Jay-Z style.

Rather than enter into the debate in any analytical fashion, and as a sign of our commitment to exploring both sides of every issue, today as the Jam of the Day I give you “I’m So Wavy” from The Game. This track is The Game’s latest diss on Jay-Z, and is a nice counterpoint to our post on Jay-Z’s “D.O.A.” I think at this point we’re pretty much living in a world free of West Coast v. East Coast nonsense. But obviously, if it came down to it, we’d have to stand with Brooklyn’s Finest. That being said, check that line in here about T-Pain that sounds suspiciously like my earlier comments on “D.O.A.” Maybe The Game has been reading ev2bk…

The Game – I’m So Wavy:

How hot is that beat? I can imagine a couple remixes already, what with Wavy sounding like Weezy, Jeezy, and baby, the possibilities are nearly endless.

-Drew

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Jam of the Day – Has a Change Really Come?

Maybe it’s because I just got back from vacation, and so I’m not feeling especially sunny today anyway, but whenever I read about an unarmed black man getting murdered by NYC cops, my mood quickly darkens and I want to start taking some cues from N.W.A. regarding how to deal with the police.

As is often the case, so far there seems to be a discrepancy between eye-witness accounts and official police statements regarding the events. What is known for sure is that Shem Walker, 49, asked an undercover police officer to get off the stoop outside of his mother’s residence in Clinton Hill, Brooklyn yesterday around 8pm. The cop, who was sitting on the stoop as part of an undercover drug bust operation, refused to move, and a scuffle ensued. At this point in the retelling, accounts start to differ. Walker was seen either punching the officer in the face after yelling “Get off my stoop, or I’ll make you!”, or hitting him with an object. The officer pulled out his gun during this tussle, and Walker was seen either grabbing it or trying to grab it. So, clearly Walker wasn’t acting in a very calm manner, and may have actually assaulted the officer. But there are still important questions that remain unanswered, like did the officer identify himself? At the end of the day, the story ends the same way: Walker was shot dead in the chest by the cop.

Now, this story in itself doesn’t scream “foul play” or “police racism” per se, but the variance of the accounts “raises some serious questions in my mind,” as Brooklyn Councilwoman Letitia James put it. I agree with James. There is simply no way to ignore the long list of questionable murders of minorities by cops in the city. Of course, there was the infamous murder of Amadou Diallo, who was shot 41 times by undercover police as he stood unarmed on the stoop of his apartment building in the Bronx. Sound familiar?

More recently, a group of cops were acquitted on all counts in the trial for the shooting of Sean Bell, who was murdered by undercover police officers after leaving a strip-club in Queens where he had been celebrating his bachelor party the night before his wedding day. The police officers fired over 50 shots, and no gun was found near Bell or his friends.

Or who can forget the officers in Brooklyn this past October who were accused of sodomizing Michael Mineo with a retractable baton near a subway station after they had chased him down for smoking a joint in the park?

When Obama was elected this past fall, we heard a lot of covers of Sam Cooke’s soul classic “A Change is Gonna Come,” all of which seemed to indicate that the “change” had indeed “come.” And believe me, Obama in the White House was a change I did, and still do, believe in. But one cover of the song, recorded by Papoose back in October 2007 and titled “50 shots (Sean Bell Tribute),” right now strikes me as a reminder that though Obama’s election was undoubtedly a historic, huge, momentous victory, “change” may not have come to all arenas of life at all. Or to put it another way, it’s still dangerous to be an unarmed black man around NYC cops. Keep your head up.

Papoose – 50 Shots (Sean Bell Tribute):

-Drew

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Jam of the Day – Search Engines result in Lisztomania

In major tech-news today, the results are in for Microsoft’s new search engine Bing (at least from the New York Times) and, shocker!, they say that in many ways it is better than Google! Some of the major advantages that they point to are pop-up balloons, showing you the first few paragraphs on any site, that show up when you point to a search result before clicking on it, and a new panel to the left of the search results of common sense links. From the Times “When you search for a medical condition, that table offers Causes, Remedies, Treatment, Prognosis and News. Aren’t those almost always the answers you’re really looking for?” You can visit the newly launched comparison site, bing-vs-google.com and decide for yourself.

All this news about information organization and lists today made me think of the infectious song “Lisztomania” released this year by the French alt-rock band, Phoenix. Phoenix, with Thomas Mars on vocals, Deck D’Arcy on bass, Laurent Brancowitz and Christian Mazzalai on guitar, released their debut album, Untitled, in 2000. Many of their former band mates and French rock contemporaries include members of Air and Daft Punk. Their second album, Alpahabetical, released in 2004, increased their profile with songs like “Run, Run, Run” and “Everything is Everything” reaching the charts. They even gained some notice in the high-fashion scene when Hedi Slimane commissioned a custom mix of their song “Victim of the Crime” as the soundtrack to one of his Dior Homme runway shows. They have permeated the DJ scene here and all over Europe and their latest album, Wolfgang Amadeus Phoenix, including the aforementioned track “Lisztomania,” just released in late May of this year, is their best yet.

Listen below to here the awesome remix of “Lisztomania” produced by Brooklyn-based duo Holy Ghost!

If you like what you hear you can download more from the boys of Holy Ghost!, Nick Millhiser and Alex Frankel, at Green Label Sound here.

Phoenix – Lisztomania:

-Melissa

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Jam of the Day – Paying Tribute to the King

Michael Jackson’s death continues to permeate world news today, from speculation about what will happen to his Neverland Ranch, to reports that recordings of the last rehearsal for his sold out 50-show event that was scheduled to start in July may be headed to DVD and CD, to the news of the court ruling that temporarily places his children in the care of Jackson’s mother, Katherine.

Over the weekend, sales of Michael Jackson’s music skyrocketed, with his collection of “Number Ones” at the top the UK charts and four of his other albums in the top 20. Jackson’s greatest hits also dominated the top downloads on iTunes today (his songs currently hold 11 of the top 20 spots).

Last night at the BET awards, the entire show was overhauled and turned into a 4-hour tribute special to the King of Pop, featuring covers of his hit songs, clips from his classic videos, and tributes from his peers. New Edition opened the show with a medley of Jackson 5 hits and the shows’ host, Jaime Foxx, came out wearing a single sparkling glove and a red-leather jacket meant to look like the iconic one worn in the “Beat It” video. Almost all of the shows’ performers and presenters gave a shout-out to Jackson; many even covered his songs and wore MJ inspired clothes. Ciara covered “Heal the World” and Ne-Yo did his version of “She’s Out of My Life.” In a surprising moment, Janet Jackson took the stage to address the crowd on behalf of her family, saying “I’d just like to say that to you Michael is an icon, to us Michael is family and he will forever live in all of our hearts.” To close the show, Ne-Yo and Jamie Foxx did a duet of the Jackson 5’s “I’ll Be There.”

Artistic tributes continue to pour in and there are undoubtedly countless more to come. 50 Cent released two Jackson tribute songs, a new tribute song from the Game, Diddy, Usher, Chris Brown, Mario Winans, Usher, Boyz II Men and Polow Da Don called “Better On The Other Side” was released, and DJ Ayres has put together a career-spanning 54-minute Michael Jackson mix for Brooklyn Radio, that actually really rocks:

Today’s jam is one of my favorite MJ covers of recent years, from Chris Cornell’s 2007 album, Carry On. Cornell is the former lead singer and songwriter for the powerhouse rock bands Soundgarden (1984–1997) and Audioslave (2001–2007). He released a new solo album Scream, produced by Timbaland this March. Cornell talked with UK-based NME.com after Jackson’s death, saying “He had magic! It was by chance that I recorded and rearranged his song ‘Billie Jean’ and have been amazed at the response it gets when I perform it every night. He was amazingly talented and largely misunderstood.” Cornell’s version takes “Billie Jean” in a more intense, lyrically-driven direction but the integrity and genius of the song remains.

Chris Cornell – Billie Jean:

With all the classics he had and all the artists who count him as a huge influence on their music, I’m sure we can expect many more ruminations on Jackson’s music to come.

-Melissa

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