Category Archives: Jam of the Day

Jam of the Day – Returning to the Space Oddity

Today marks the 40th anniversary of the first man walking on the moon. Neil Armstrong and the crew of the Apollo 11 completed this awesome feat back in 1969 and, by some assessments, astronauts in the United States space program haven’t surpassed this achievement since. NASA is still trying to return humans to the moon, but before they get the funding, the Obama administration has put together a panel of independent space experts to evaluate the current condition of NASA’s human spaceflight program. The panel will make their recommendations at the end of the summer, but the federal deficit, and other programs like health care, will most likely get any available funding first. Although they may not get the necessary dollars anytime soon, NASA plans to eventually create a “moon base” that would allow astronauts to practice living on another planet, an experience that space crews would need before heading to explore other planets like Mars. According to NASA.gov, “As the space shuttle approaches retirement and the International Space Station nears completion, NASA is building the next fleet of vehicles to bring astronauts back to the moon, and possibly to Mars and beyond.”

Today’s Jam comes to us from David Bowie, who rushed the release of his single, “Space Oddity,” back in 1969 to coincide with the first man landing on the moon and all of the surrounding buzz and excitement. The exposure that the song received gave Bowie his first big hit when it reached the top five on the UK singles chart that fall. When Bowie re-emerged in 1972, as his androgynously flamboyant alter-ego, Ziggy Stardust, the album was re-released with the title “Space Oddity,” and a new video was included as part of the makeover.

To celebrate the 40th anniversary of “Space Oddity,” Bowie is re-releasing the EP on iTunes along with a new “Space Oddity App” for the iPhone. The application allows you to create your own mixes of the song and save them. If you don’t want to bother with anything as complex as sliding faders you can just shake your iPhone and it will create a brand new mix for you. Although nobody could improve on the original, many have tried including Cat Power, who did a teaser of a cover of this song for Lexus (that could have been awesome had it been longer than 30 seconds), and Shiny Toy Guns, who released an excellent response song, “Major Tom,” in 2008.

David Bowie – Space Oddity:

-Melissa

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Jam of the Day – Take a Drag Off the Bear Hands Joint @ Siren Music Festival 2009

Beach Balls! Music! Fun Times!

Beach Balls! Music! Fun Times!

Tomorrow the 9th Annual Village Voice Siren Music Festival will take over Coney Island with a free concert that includes a lineup of about 15 bands, culminating in sets by Built to Spill and Spank Rock at the Main Stage (on W. 10th St. off Surf Ave.) and the Stillwell Stage (Stillwell Ave. off Surf Ave.), respectively. There’s a great group of bands playing this year, so grab some sunscreen, your friends, and a beachball (these were a must-have item whenever the above picture from beatcrave.com was taken, apparently) and kick it in Coney Island all day. And given that Budweiser is sponsoring the Official After Party, I’m sure there will be lots of boozing in addition to the dancing. Doesn’t sound like a drag at all.

Here at ev2bk we’re especially excited to see/party with one of our favorite bands, and longtime buddies, Bear Hands, who are playing on the Stillwell Stage at 2:30pm sharp. Even the New York Metro is psyched (thanks Betsy)!

Bear Hands was formed back in 2006 when Dylan Rau was living in Brooklyn and asked Ted Feldman, Val Loper, and TJ Orscher to play on some demos that he was recording. Dylan was going to school with Ted at Wesleyan at the time, and already knew TJ and Val from the CT music scene (Val and TJ had been in CT hardcore band In Pieces, and had – if I remember correctly – played some shows with Dylan’s old band Building a Factory, but in any case, they knew each other well enough to have at least shared a bowl or whatnot). The general band-mythology is that during the recording sessions, all four guys sort of realized “hmm, maybe this could be a pretty kick-ass band” and so now they’re “doing the best they can” (from their myspace page).

But just in case you think this implies some sort of lack of ambition or luster, it should be noted that already in 2009 alone the boys have toured Europe twice:

Bear Hands @ Cargo in London (2/23/09)

Bear Hands @ Cargo in London (2/23/09)

Recorded some live tracks with Daytrotter after playing a few shows at SXSW in Austin (here’s my favorite of those songs):

“Belongings”

Totally killed it at a show with Passion Pit at Bowery Ballroom back in June:

Bear Hands at Bowery Ballroom (6/19/09)

Bear Hands at Bowery Ballroom (6/19/09)

And for the rest of the summer are all set to play Hartford with Airbourne Toxic Event, Boston with We Are Scientists, and both the Leeds Festival and Reading Festival in the UK later this August. Oh and did I mention that they are currently in the studio recording their first full-length record? Last week when I spoke with Dylan he told me that it was sounding pretty great so far; I’ll post an update after I listen to some of the tracks with him tonight in the studio.

We love this band, and think you will too! Each and every member of the band is the sweetest of dudes and would probably love to get to know you. So come join us and get your dance on with Bear Hands and the rest of the bands tomorrow at the Siren Music Festival. Here’s a little preview of the remix of the hotness from Bear Hands. The song, “What a Drag,” can be purchased as a 7″ import from Rough Trade Shops and Too Pure Records.

Bear Hands – What a Drag:

Have a great weekend!

-Drew

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Jam of The Day – Music Breaks Down Cuban Borders

Tuesday night we checked out The New York Philharmonic performance in Central Park. Music Director Alan Gilbert lead the orchestra in Mozart’s Symphony No. 41 from the Jupiter cycle and Beethoven’s Symphony No. 7, during the first of the season’s concerts. It was a beautiful night and the Great Lawn was packed, but it was not until I was reading about it yesterday that I found out that there were an estimated 80,000 people there! Luckily there are lots of other concerts planned over the summer season in lots of boroughs, so you won’t have to travel too far to check them out.

But that’s not to say that you have to be in New York to enjoy the Phil. The president of the Philharmonic, Zarin Mehta, announced today that he and other Philharmonic officials planned to travel to Havana, Cuba tomorrow to investigate logistics and see if it will be feasible for them to accept Cuba’s invitation to perform there in the fall. The Philharmonic seems to be hoping to add another exotic and controversial destination to its touring season. In light of the recent US embargo lifting some travel restrictions to Cuba, the Philharmonic has already received licenses to travel there. This trip would come at the end of their Asian tour in October, during which they will visit Vietnam. And you may recall that last year they were the first major orchestra to ever travel to the dictatorial, and exceedingly isolated, North Korea. As Gilbert explained to the Times, the trip would be a nonpolitical “cultural exchange,” explaining, “I think that music really does speak for itself.” Let’s hope that music continues to transcend borders more and more in the years to come.

Returning to more U.S.-related “Havana” news, a new album entitled Havana Winter by singer, songwriter, and multi-instrumentalist Kevin Hearn will be released here on July 28th. Hearn is best known as a skilled multi-instrumentalist in the platinum-selling pop band, Barenaked Ladies. Hearn, a classically trained pianist, has pursued a parallel solo career path for some time now, and this will be his 5th solo album. As a solo artitst, his songs continue to be introspective, and are framed by gentle, seductive melodies and charmingly subtle vocals.

On Havana Winter, he is joined by Lou Reed, Laurie Anderson, Mary Margaret O’Hara, John McDermott, and Chantal Kreviazuk. Hearn is performing tonight at the Mercury Lounge with his band, Thin Buckle. If you’re feeling like easing into your weekend on a mellow note, you should check them out.

Kevin Hearn and Thin Buckle – Driftwood:

-Melissa

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Jam of the Day – Looking at Beef Through a Power Theory Matrix

***JOTD Update – This is in response to my post on June 30, 2009 regarding Jay-Z – D.O.A. (Death of Autotune)***

Our good friend Joshua Hersh recently brought to my attention an article from Foreign Policy magazine that has been generating a lot of varied reactions online and has been making its way around international policy circles. The article in question, “Jay-Z vs the Game: Lessons for the American Primacy Debate” by Marc Lynch, has spurned so many reactions that they set up a second post just for the “reaction highlights.”

The article quite cleverly explores the recent beef between The Game and Jay-Z within the framework of international relations and various theories on power. In this context, Jay-Z is imagined as a hegemonic, world-dominating power on par with the United States, with The Game a mid-level actor attacking the dominant king for his perceived abuse of power in dissing so many top rappers in his most recent single, “D.O.A. (Death of Auto-tune).” In this “‘power transition narrative” (which, Lynch is quick to point out, seems like an oddly-timed power grab, given that Jay-Z “hardly looks like a declining power” right now), The Game is hoping to exploit Jay-Z’s position as an establishment figure, painting him as a tyrant wrongly using the influence of his “alliance structure” to further his aims at the cost of more mid-level powers (e.g. Jay-Z’s rumored hand in preventing Chris Brown from performing at the BET Video Awards). In this narrative, The Game hopes that his public outcries against Jay will become the rallying cry that galvanizes similar mid-level powers to back his coup attempt.

Most of the comments that I have seen have either been expressions of outrage that such a topic could be written about in serious journalism outlets, or thoughtful and funny responses such as this post by Jonathan Wallace in The Washington Note with a picture of Obama, well, brushing his shoulder off, Jay-Z style.

Rather than enter into the debate in any analytical fashion, and as a sign of our commitment to exploring both sides of every issue, today as the Jam of the Day I give you “I’m So Wavy” from The Game. This track is The Game’s latest diss on Jay-Z, and is a nice counterpoint to our post on Jay-Z’s “D.O.A.” I think at this point we’re pretty much living in a world free of West Coast v. East Coast nonsense. But obviously, if it came down to it, we’d have to stand with Brooklyn’s Finest. That being said, check that line in here about T-Pain that sounds suspiciously like my earlier comments on “D.O.A.” Maybe The Game has been reading ev2bk…

The Game – I’m So Wavy:

How hot is that beat? I can imagine a couple remixes already, what with Wavy sounding like Weezy, Jeezy, and baby, the possibilities are nearly endless.

-Drew

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Jam of the Day – Tutti Fruitti Vendor Wars

This morning, the Times wrote about the escalating fruit vendor wars in midtown Manhattan – specifically on the stretch between 9th Avenue/42nd Street and 10th Avenue/43rd Street. Apparently some MAJOR turf struggles are afoot. As I am pretty close to ground zero today, I walked outside to see if I could catch any crossfire in action. Unfortunately, when I went out around noon it was business as usual and the vendors all looked busy.

One of the feuding vendors in question is Bulent Unal, 45, who was the first to set up on 9th Avenue and has enjoyed a bustling business of Times Square office workers and tourists for some time now. A competing vendor, Eyup Durmus, set up shop not far down the road on 43rd between 9th and 10th. In retaliation, Unal has opened another fruit stand, operated by his brother-in-law, right next to the one run by Durmas. A third vendor, Mahbubul Islam, operating on the opposite side of the same block is also in the mix, complaining that his sales are down by nearly half and as he told the Times, “These guys are both trouble.”

For these guys, the “rules” are hard to enforce; it’s more of an unspoken understanding that you don’t encroach on someone else’s spot. Many blocks are not open to vendors and those that are only have to follow regulations about the size of their table, not being too close to building entrances or fire hydrants, and not blocking traffic. An organizer for the Street Vendor Project, Ali Issa, explains that although there are no laws against stealing someone else’s location, “it’s a self-regulation mechanism that has been in place decades and decades.” Although the battle continues, with Mr. Durmus threatening to strike back by opening yet another stand, let’s hope they resolve their disputes and no one gets struck with a stray mango in the process.

This news reminded me of one of the most ridiculous videos I have come across in some time put out by the Swedish musician, Günther. Günther is the stage name of Mats Söderlund, and I was amazed to find out that you can buy his album “Pleasureman” on Amazon. It’s too absurd to explain this video in detail, you have to watch it yourself to really understand. If you haven’t seen Brüno yet – this video might get you in the mood. Let’s all just hope that these vendors come together and find some “Tutti Fruitti Summer Love” soon.

Günther – Tutti Fruitti Summer Love:

(For those of you with strict work places, beware that there are about 2 seconds of boobs and 1 second of man-tool that might be NSFW.)

A big shout out to econoblodger Adam Shapiro for showing us this video masterpiece – Bananas, Melonas, Yeah…

-Melissa

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Jam of the Day – Has a Change Really Come?

Maybe it’s because I just got back from vacation, and so I’m not feeling especially sunny today anyway, but whenever I read about an unarmed black man getting murdered by NYC cops, my mood quickly darkens and I want to start taking some cues from N.W.A. regarding how to deal with the police.

As is often the case, so far there seems to be a discrepancy between eye-witness accounts and official police statements regarding the events. What is known for sure is that Shem Walker, 49, asked an undercover police officer to get off the stoop outside of his mother’s residence in Clinton Hill, Brooklyn yesterday around 8pm. The cop, who was sitting on the stoop as part of an undercover drug bust operation, refused to move, and a scuffle ensued. At this point in the retelling, accounts start to differ. Walker was seen either punching the officer in the face after yelling “Get off my stoop, or I’ll make you!”, or hitting him with an object. The officer pulled out his gun during this tussle, and Walker was seen either grabbing it or trying to grab it. So, clearly Walker wasn’t acting in a very calm manner, and may have actually assaulted the officer. But there are still important questions that remain unanswered, like did the officer identify himself? At the end of the day, the story ends the same way: Walker was shot dead in the chest by the cop.

Now, this story in itself doesn’t scream “foul play” or “police racism” per se, but the variance of the accounts “raises some serious questions in my mind,” as Brooklyn Councilwoman Letitia James put it. I agree with James. There is simply no way to ignore the long list of questionable murders of minorities by cops in the city. Of course, there was the infamous murder of Amadou Diallo, who was shot 41 times by undercover police as he stood unarmed on the stoop of his apartment building in the Bronx. Sound familiar?

More recently, a group of cops were acquitted on all counts in the trial for the shooting of Sean Bell, who was murdered by undercover police officers after leaving a strip-club in Queens where he had been celebrating his bachelor party the night before his wedding day. The police officers fired over 50 shots, and no gun was found near Bell or his friends.

Or who can forget the officers in Brooklyn this past October who were accused of sodomizing Michael Mineo with a retractable baton near a subway station after they had chased him down for smoking a joint in the park?

When Obama was elected this past fall, we heard a lot of covers of Sam Cooke’s soul classic “A Change is Gonna Come,” all of which seemed to indicate that the “change” had indeed “come.” And believe me, Obama in the White House was a change I did, and still do, believe in. But one cover of the song, recorded by Papoose back in October 2007 and titled “50 shots (Sean Bell Tribute),” right now strikes me as a reminder that though Obama’s election was undoubtedly a historic, huge, momentous victory, “change” may not have come to all arenas of life at all. Or to put it another way, it’s still dangerous to be an unarmed black man around NYC cops. Keep your head up.

Papoose – 50 Shots (Sean Bell Tribute):

-Drew

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