Category Archives: Music

Jam of the Day – Take These Thoughts and Aggregate Them?

Clearly, Twitter and other social networking sites are changing the way that companies interact with and listen to customers, and now, that interaction has also turned into a business of its own! Yesterday the New York Times ran an interesting article about the “virtual currency” of online opinion, and takes a look at some of the early frontrunnrers in this emerging field unsentimentaly dubbed “sentiment analysis.” Companies such as Scout Labs in California and Jodange in Yonkers are powered by increasingly complex algorithms that serve to aggregate feelings, thoughts, and opinions as expressed by users of various online social networks, blogs, and other community web sites. The companies can then theoretically use this information to gain valuable insight into new marketing strategies or products (essentially free market research, replacing 20 random people in a room with 200,000 readers of a blog, say), or to better manage public relations, such as this spring when StubHub used data from Scout Labs to notice brewing discontent over its bad weather policy and was able to avoid any major backlash.

Of course, this all sounds nice until you hear that the accuracy of even the best of the companies’ algorithms are only “70-80% accurate” (as quoted in the Times piece). And as the article points out, “translating the slippery stuff of human language into binary values will always be an imperfect science.” I’m no moral philosopher, so I’m not looking to get into all that right now, but it seems like this article gets it right when it points out that this road may ultimately lead to a dangerous conflation of feeling and fact.

It’s almost like Chris and Thomas are commenting on the potential downsides to this “innovation” in their song “Take These Thoughts,” when they warn:

Take these thoughts /
They’re heavy and they’re old /
Don’t let ’em steal your soul

Chris (Anderson) and Thomas (Hien), a folk duo in the vein of Simon and Garfunkel, met in Liverpool at the same art school where another pretty famous pair first got to know each other (although come on, the comparison is QUITE a stretch, Ms. Dunham, no matter what their PR peeps told you). Their first full album, Land of Sea, generated a lot of interest in the group, and I’m sure that comparisons to Crosby, Stills, Nash & Young have helped almost as much as the major success of last year’s Fleet Foxes record, which sounds awfully similar to these guys at times. They don’t seem to have any tour dates up on their myspace or official website, so for now, I guess you’ll have to settle for this video.

Chris and Thomas – Take These Thoughts:

-ev2bk

P.S. Happy Birthdays, Moms!

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Jam of the Day – Summertime And The Livin’s Easy

The countdown continues and we are down to only three weekends left of summer. It is so quiet in the city today—when has the F train ever had the majority of seats open at 8:00 A.M.? For those of you in town this weekend, more thunderstorms are predicted, so if you go to Central Park, watch out for falling trees.

Here’s the second song of our Friday “Summertime” jam series from the Long Beach, Cali band, Sublime. Sublime finally achieved mainstream success with their self-titled third album in 1996. Sadly, the Sublime album was the group’s last; lead singer Bradley Nowell died of a heroin overdose shortly before its release. This song is a classic and although it’s not officially entitled “Summertime” I’m pretty sure it counts.

Sublime – Doin’ Time:

-Melissa

Editor’s note: Please excuse the randomness of this video, it was the best version of the song available.

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Jam of the Day – Pretty Girls, Wale Wants You But Retailers Might Not

According to the results of a recent study out of the University of South Australia and published in the Journal of International Business and Economics, 18-26 year old girls are far less likely to buy products (regardless of what the product might be) from female sales associates that they perceive to be more attractive than themselves. As Stylelist.com points out, this phenomenon is far more damaging if your company is, say, Abercrombie & Fitch, than if you’re Bloomingdale’s. But still, the author of the study finds that “upward social comparison, where individuals compare themselves with people who they believe are socially superior, can create anxiety, lower confidence and create feelings of inadequacy” leading to “avoidance behavior.” As if women didn’t have enough to deal with already!

But if you’re a pretty girl who is starting to worry about her job security, fret not: you’ve got a friend in Wale (and let’s not forget Lil Wayne, who is very clearly not discriminating).

Wale (real name: Olubowale Victor Folarin), who hails from Washington, D.C., began his career back in 2006 with a series of local hits that were largely inspired by/examples of go-go. Go-go is a sub-genre of funk that originated in the D.C. area (and remains mostly unknown outside of D.C.) that is characterized by its syncopated bass/snare pattern as well as the importance of live “call and response” interaction with the audience.

I first heard about Wale in 2007, when his manager gave a copy of his song “Good Girls” to Mark Ronson, who liked it so much that he invited him to spit a few bars on his East Village Radio show, “Authentic Shit.” Since then, Wale has been riding the Ronson train straight to Hitsville. While playing at Ronson’s record release party at the Highline Ballroom, he was interviewed by MTV news and was later asked to perform at the MTV Video Awards in 2007. This led to his teaming up with Lady Gaga on “Chillin,” and on October 20th, Ronson’s Allido Records (an Interscope imprint) will release Wale’s first official record. Not too bad of a ride thus far.

Getting back to the original point, the most recent leak from the record is “Pretty Girls,” which has a great beat and sample (from D.C. go-go group Backyard), and is one of my favorite new hip hop releases of the moment. Not only is it his second song with the word girls in the title, but it is a pretty good example of go-go (hear that call and response in there?) and reps D.C. hard. So to all the pretty girls: put this record on while you pick up the pieces of your shattered retail-sales-associate dreams, and then go find some rappers to love you!

Wale – Pretty Girls:

-Drew

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Jam of the Day – The Very Best Put Africa Into Your Heart

the very best - album cover I was talking to a friend today who is on a volunteer mission in Tanzania about her experience there so far and I haven’t been able to get “Warm Heart of Africa” out of my head all day. “Warm Heart of Africa” is the latest release from The Very Best, a collaboration between Malawi-via-London singer Esau Mwamwaya and British DJ/production duo Radioclit.

They first came on the scene late last year when they released their version of M.I.A’s “Paper Planes” entitled “Tengazako” (“Take What’s Yours” in Chichewa, the national language of Malawi). Since then, Mwamwaya raised his profile the fastest way you can in the music blogosphere: with covers, remixes, and collaborations. The buzz-worthy releases so far have included “Get It Up” featuring M.I.A. and Santogold, covers and remixes of Vampire Weekend, and “Kamphopo” which they built on top of an Architecture in Helsinki track.

A studio album is expected this year which you can pre-order now from Rough Trade, and there promise to be further collaborations with M.I.A. and Ezra Koenig of Vampire Weekend, among others. The release will include the new record plus a copy of The Very Best’s dark horse mixtape from last winter, Esau Mwamwaya and Radioclit are The Very Best, which received praise from Pitchfork and Fader, among others. If you don’t want to buy vinyl, and you can’t wait until later this year for the full length, you can download the mixtape from their myspace page, or just click here, because we like to make your life better and easier here at ev2bk.

The Very Best – Warm Heart of Africa (ft. Ezra Koenig):

One final thought: Could we be building up to a DJ Khaled v. The Very Best battle, in which it is decided, once and for all, who has a more legitimate right to claim “we the best“? If it comes down to it, we’re voting for TVB.

-Melissa

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Jam of the Day – Summa Summa Summa Time

We have four weekends left until Labor Day basically closes the season out, and it seems like tons of people are out of town enjoying the fact that summertime seems to finally have arrived. So to celebrate (and because we’re trying to hit up the beach, yo) here’s the first of four “Summertime” jams, this one the classic track from those two fresh kids from West Philadelphia, born and raised.

DJ Jazzy Jeff and the Fresh Prince – Summertime:

-ev2bk

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Jam of the Day – The Compass and the Wires

Until January 4, 2010, you can view the “Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection Exhibit” at the MOMA. The exhibit includes over 300 selections from The Judith Rothschild Foundation’s “extraordinary collection of over 2,500 contemporary works on paper,” the largest gift of drawings that the museum has ever received. Although the Times didn’t exactly give it a glowing review, “Compass in Hand” is certainly worth checking out, even if only this small online slide show.

But if you’re looking for a different sort of directional indicator, don’t fret. Brooklyn-based electro-pop/synth group Red Wire Black Wire has the remedy in the form of the title track from their EP Compass, which was released by Tough Customer Records back in November. They have a pretty extensive tour schedule, slated to start in September, coinciding with the release of their first full-length, Robots & Roses that will take them all over the U.S. and even to Russia. They will be back in the bk at The Studio @ Webster Hall on October 23. Check out their first official video, for “Compass,” below and mark your fall calendars.

Red Wire Black Wire – Compass:

-Drew

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