Tag Archives: Jam of the Day

Jam of the Day – Looking at Beef Through a Power Theory Matrix

***JOTD Update – This is in response to my post on June 30, 2009 regarding Jay-Z – D.O.A. (Death of Autotune)***

Our good friend Joshua Hersh recently brought to my attention an article from Foreign Policy magazine that has been generating a lot of varied reactions online and has been making its way around international policy circles. The article in question, “Jay-Z vs the Game: Lessons for the American Primacy Debate” by Marc Lynch, has spurned so many reactions that they set up a second post just for the “reaction highlights.”

The article quite cleverly explores the recent beef between The Game and Jay-Z within the framework of international relations and various theories on power. In this context, Jay-Z is imagined as a hegemonic, world-dominating power on par with the United States, with The Game a mid-level actor attacking the dominant king for his perceived abuse of power in dissing so many top rappers in his most recent single, “D.O.A. (Death of Auto-tune).” In this “‘power transition narrative” (which, Lynch is quick to point out, seems like an oddly-timed power grab, given that Jay-Z “hardly looks like a declining power” right now), The Game is hoping to exploit Jay-Z’s position as an establishment figure, painting him as a tyrant wrongly using the influence of his “alliance structure” to further his aims at the cost of more mid-level powers (e.g. Jay-Z’s rumored hand in preventing Chris Brown from performing at the BET Video Awards). In this narrative, The Game hopes that his public outcries against Jay will become the rallying cry that galvanizes similar mid-level powers to back his coup attempt.

Most of the comments that I have seen have either been expressions of outrage that such a topic could be written about in serious journalism outlets, or thoughtful and funny responses such as this post by Jonathan Wallace in The Washington Note with a picture of Obama, well, brushing his shoulder off, Jay-Z style.

Rather than enter into the debate in any analytical fashion, and as a sign of our commitment to exploring both sides of every issue, today as the Jam of the Day I give you “I’m So Wavy” from The Game. This track is The Game’s latest diss on Jay-Z, and is a nice counterpoint to our post on Jay-Z’s “D.O.A.” I think at this point we’re pretty much living in a world free of West Coast v. East Coast nonsense. But obviously, if it came down to it, we’d have to stand with Brooklyn’s Finest. That being said, check that line in here about T-Pain that sounds suspiciously like my earlier comments on “D.O.A.” Maybe The Game has been reading ev2bk…

The Game – I’m So Wavy:

How hot is that beat? I can imagine a couple remixes already, what with Wavy sounding like Weezy, Jeezy, and baby, the possibilities are nearly endless.

-Drew

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Jam of the Day – Has a Change Really Come?

Maybe it’s because I just got back from vacation, and so I’m not feeling especially sunny today anyway, but whenever I read about an unarmed black man getting murdered by NYC cops, my mood quickly darkens and I want to start taking some cues from N.W.A. regarding how to deal with the police.

As is often the case, so far there seems to be a discrepancy between eye-witness accounts and official police statements regarding the events. What is known for sure is that Shem Walker, 49, asked an undercover police officer to get off the stoop outside of his mother’s residence in Clinton Hill, Brooklyn yesterday around 8pm. The cop, who was sitting on the stoop as part of an undercover drug bust operation, refused to move, and a scuffle ensued. At this point in the retelling, accounts start to differ. Walker was seen either punching the officer in the face after yelling “Get off my stoop, or I’ll make you!”, or hitting him with an object. The officer pulled out his gun during this tussle, and Walker was seen either grabbing it or trying to grab it. So, clearly Walker wasn’t acting in a very calm manner, and may have actually assaulted the officer. But there are still important questions that remain unanswered, like did the officer identify himself? At the end of the day, the story ends the same way: Walker was shot dead in the chest by the cop.

Now, this story in itself doesn’t scream “foul play” or “police racism” per se, but the variance of the accounts “raises some serious questions in my mind,” as Brooklyn Councilwoman Letitia James put it. I agree with James. There is simply no way to ignore the long list of questionable murders of minorities by cops in the city. Of course, there was the infamous murder of Amadou Diallo, who was shot 41 times by undercover police as he stood unarmed on the stoop of his apartment building in the Bronx. Sound familiar?

More recently, a group of cops were acquitted on all counts in the trial for the shooting of Sean Bell, who was murdered by undercover police officers after leaving a strip-club in Queens where he had been celebrating his bachelor party the night before his wedding day. The police officers fired over 50 shots, and no gun was found near Bell or his friends.

Or who can forget the officers in Brooklyn this past October who were accused of sodomizing Michael Mineo with a retractable baton near a subway station after they had chased him down for smoking a joint in the park?

When Obama was elected this past fall, we heard a lot of covers of Sam Cooke’s soul classic “A Change is Gonna Come,” all of which seemed to indicate that the “change” had indeed “come.” And believe me, Obama in the White House was a change I did, and still do, believe in. But one cover of the song, recorded by Papoose back in October 2007 and titled “50 shots (Sean Bell Tribute),” right now strikes me as a reminder that though Obama’s election was undoubtedly a historic, huge, momentous victory, “change” may not have come to all arenas of life at all. Or to put it another way, it’s still dangerous to be an unarmed black man around NYC cops. Keep your head up.

Papoose – 50 Shots (Sean Bell Tribute):

-Drew

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Jam of the Day – Bastille Day Celebrations

Many Bastille Day celebrations are planned around bk this weekend. Our favorite here at ev2bk is the Bastille Day Street Fair going on this Sunday from noon to 10pm hosted by Bar Tabac. The celebration will shut down Smith Street to set up a sandy pétanque (a French game similar to bocce) court, Bar Tabac will blast louder-than-usual live music and serve brunch and French cocktails. This year’s featured band will be The Baby Blue Orchids. Another latin flamenco band will also perform.

If the crowds on Smith Street scare you away but you just need to get your pétanque game on, you can go to Cornichon on Grand St. in Williamsburg this Saturday and play in their tournament from 6PM to midnight. You have to RSVP for this one if you plan on participating with your team.

To get you in the mood, here’s a link to the national anthem of France, which will surely be played at some point or another this weekend/early next week:

La Marseillaise, French National Anthem:

-ev2bk

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Jam of the Night – The Swordfish Song

Dusk on Block Island - July 9, 2009

After the sun had set tonight, a spontaneous song broke out in celebration of both the incredible sky and the grilled swordfish. So instead of a Jam of the Day, we offer you an ev2bk first: an original Jam of the Night, recorded live this evening here on Block Island with a group of family and friends (tentative group name: Bear Collective) and posted for your entertainment. We hope it’s as enjoyable to you listening as it was for us making it!

Bear Collective – The Swordfish Song:

-Drew

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Jam of the Day – Inside a Boy

I hope everyone enjoyed the gorgeous holiday weekend. Now that you’re back in the city, easing into the week (hopefully with a little tan), we here at ev2bk wanted to welcome you back with a free show and a stellar new video. Tonight in the ev, Pianos is hosting the weekly Cross-Pollination show where two local singer-songwriters will each play a 45-minute solo set, followed by a three-song collaborative set where both artists share the stage. The two-hour concert is free and doors open at 7:30, so if you’re in need of your new music fix for the week, go check it out.

Liberated Matter created the Cross-Pollination concert series with the goal of strengthening the local music community and forging bonds between musicians and creating new collaborations. They pair musicians based on the diversity of their music styles as well as the compatibility of their sounds. Cross-Pollination at Pianos has been going on for two years now (since June 2007). They partnered with the American Society of Composers, Authors, and Publishers, ASCAP, to produce the event.

Tonight’s featured local performers are Alex Drewchin and Louis Schefano (aka Louis) formerly of the mostly one-man-band, Regia. Listen below to get a sample of what you might here tonight from Louis Schefano, from his EP “Louis’s Freak Show Revenge.”

My Brightest Diamond, led by the operatically-trained, Brooklyn-based, singer-songwriter Shara Worden, performed at a past Cross-Pollination concert. The band released their first album, Bring Me the Workhorse, in 2006. Today’s jam comes to you from their 2008 release, A Thousand Shark’s Teeth. The haunting vocals on this track, at times reminiscent of Joni Mitchell, and the Anime-meets-Pixar escape video are definitely worth checking out.

My Brightest Diamond – Inside a Boy:

-Melissa

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JOTD Holiday Update – 4 July 2009

Happy Fourth of July Weekend from Block Island!

New posts will resume on July 7, but for now, who doesn’t enjoy a little Bob on vacation? We love you too.

-ev2bk

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