Category Archives: Jam of the Day

Jam of the Day – Save a Record Store, Get Limited Edition Vinyl

Well, we already know that it’s impossible to buy records at the Virgin Megastore anymore, given that it closed yesterday. But even though it’s a tough world out there, some groups of independent record stores have started to collectively organize in order to try to save themselves.

One such effort is Record Store Day, which was founded in 2007 by a group of like-minded individuals in the San Francisco area. Record Store Day, which celebrated it’s second anniversary recently (it is celebrated on the third Saturday of every April), was inaugurated on April 19, 2008, with events and performances throughout the country, including at our very own Sound Fix and Other Music.

Since it seems like the biz is in need of some serious help (like the kind of help that comes more than one day a year), the “consortium” behind Record Store Day recently announced a new program called Vinyl Saturday, which will be a self-described “new monthly unveiling of limited special vinyl pieces, [and] an irresistible lure to your local indie record store, where treasures of all sorts are glittering on the shelves.”

The first Vinyl Saturday kicks off this Saturday, June 20, and features new releases (available exclusively on vinyl for now) from Modest Mouse, Wilco, Green Day, and Pete Yorn’s new project with Scarlett Johansson. Quite a few record stores from the East Village to Brooklyn are participating. Apart from Sound Fix and Other Music, the NYC list also includes Academy Record Annex, Basement Mix Records, Black Star Music & Video, Bleecker Street Records, Downtown Music Gallery, Earwax Records, Etherea, Fat Beats, Generation Records, Gimme Gimme Records, Halcyon the shop, and Rock and Soul. You may want to give the places a call beforehand if you’re looking for one particular record, since these are all very limited releases and are likely to go fast.

Personally, I’m most excited to hear the new Modest Mouse tracks, which will be their second recent vinyl release following the failed attempt to participate in Record Store Day this year. I’m hoping that this one will be far better, given the disappointing “Satellite Skin/Guilty Cocker Spaniels” 7-inch effort. Seeing as “Satellite Skin” wasn’t released until May 26, and you may not have heard it yet (like me earlier today), you can check the video out here.

But since we’re looking to maintain the integrity of the Jam of the Day archives, the official Jam today is going to take you back to the Mouse of yesteryear. Enjoy.

Modest Mouse – Edit the Sad Parts:

Finally, I suppose it’s going against the whole point of Record Store Day, but if you can’t make it to an area record store, you can pick up a copy of the forthcoming Modest Mouse 7-inch online here.

Maybe you’re an indie fan on crutches, OK?

-Drew

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Jam of the Day – Friday Night Party Jam

The next time that it’s Friday night, and you walk into the hot party spot and your friend asks you to take over as iTunes DJ for a second while he gets another drank, you’ll know what to do. It’s simple really. Just bump this jam. Done and done. Booty rocking everywhere.

Montell Jordan – This is How We Do It:

And just for the sake of history, here’s where Montell copped the beat. Rick the ruler!

Slick Rick – Children’s Story:

-Drew

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Jam of the Day – Danger Mouse Selling $50 Blank CDs

Danger Mouse, who first rose to national prominence with the Grey Album, and is now better known as a member of the duo Gnarls Barkley, recently completed a joint project with director David Lynch and Sparklehorse titled Dark Night of the Soul. Apparently Danger Mouse and Sparklehorse worked on the album for a couple of years and pulled some collaborations with a lot of big names, including the Flaming Lips, Iggy Pop, Frank Black, James Mercer (The Shins), Julian Casablancas (The Strokes), and Black Francis (Pixies). At some point Danger Mouse approached Lynch about working together on a multimedia project that would combine Lynch’s photographs with a record, with the photos being inspired by the music and vice versa. NPR has posted the entire album online here, if you want to check it out.

The project also resulted in an installation being shown from May 30-July 11 at the Michael Kohn Gallery, in Los Angeles, which consists of about 50 of Lynch’s photographs mounted in two rooms, with the “moody rhythms” of Dark Night of the Soul playing throughout the gallery.

Well this all sounds great, what with NPR streaming the album online and the installation being available for viewing, but the New York Times posted an article today about the actual for-purchase book/cd combo that has fans “puzzled:”

“The project, it turned out, is a large-format book-and-CD package that Danger Mouse was releasing by himself, with 50 photographs by Mr. Lynch intended as accompaniment to the album’s 13 songs. But the CD is blank and recordable, and a sticker on the shrink wrap explains cryptically: “For legal reasons, enclosed CD-R contains no music. Use it as you will.” Danger Mouse lays the blame on “an ongoing dispute with EMI,” and EMI basically confirmed as much, saying that they are trying to “resolve this situation.”

As the article is quick to mention, though, this is clearly a nod to the concept of illegal downloading (in a sense Danger Mouse is saying to fans, “here’s a blank CD onto which you can burn my music that you already downloaded for free”), which was how his Grey Album grew to be such a phenomenon in the first place. And also let’s not forget that “controversy” sells records.

But at the end of the day, let’s be real: Danger Mouse, you are trying to sell a $50 blank CD-R. I like these prices better.

So, while Danger Mouse and EMI work out the details, enjoy this dope jam from the Grey Album.

Danger Mouse – What More Can I Say?:

-Drew

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Jam of the Day – The Roots of the High Line

This week, after much anticipation, the first nine-block section of the brand new elevated public park in Chelsea, the High Line, opened to the public. Visiting this park, which was once an abandoned railway in jeopardy of being torn down, is one of those “you have to see it to believe it” New York City experiences. The park gives you a really unique view of the city, you’re not at the top of the Empire State Building and you’re not down on the ground, you’re somewhere in between on this beautiful green-space and it’s pretty incredible. One of the first to write about The High Line was Adam Gopnik for The New Yorker, back in May of 2001. In his lengthy article, which features photographs by the photographer Joel Sternfeld, he interviews High Line neighborhood residents Robert Hammond and Joshua David, the founding members of the “Friends of the High Line,” a charitable organization created to advocate for the High Line’s preservation and reuse as public open space. After this article and other press coverage began to feature the High Line, funding started coming in and the restoration project was underway. Click here to watch a great video about the history of the High Line featuring some celebrity supporters of the project. Next Monday, the “Friends of the High Line” is hosting an Opening Summer Benefit which “marks the culmination of 10 years of efforts to save, preserve, and open the High Line as a New York City park.” For now only “Section 1” (Gansevoort Street to 20th Street) is open to the public and they hope to have “Section 2” (20th Street to 30th Street) open in 2010.

In keeping with the spirit of neighborhood comradery, The HighLine Ballroom, a music and performance venue inspired by the High Line that opened in April 2007 donates $0.25 from every ticket sold to “The Friends of the High Line.”

Starting in June, the HighLine Ballroom started a series of Tuesday night “late-nights” featuring the innovative hip-hop collective The Roots, and a series of their special guest performers called “The Roots Present The Jam.” The Roots began recording and performing back in the late-eighties when rapper Black Thought (Tariq Trotter) and drummer ?uestlove (Ahmir Khalib Thompson) met at the Philadelphia High School for Creative Performing Arts. The Roots produced its first major-label album, Do You Want More?!!!??!, in 1995 without sampling from any other artists, defying the conventions of most rap at the time. Although most of their music is full of politically charged lyrical content and complex sounds, The Roots are probably best known for one of their more mellow songs that won them a Grammy in 1999, “You Got Me” featuring Erykah Badu. They have had seven other Grammy nominations including a nod in 2007 for Best Rap Album for Game Theory. In a surprising move this year, The Roots are performing as the house band for Jimmy Fallon’s NBC late night talk show. Lucky for Jimmy and lucky for us since we know they’ll be in town and we can catch them weekly at the HighLine Ballroom.

Definitely my new favorite track off their latest album, Rising Down, released in April 2008, is “Rising Up!” which features Chrisette Michelle and Wale. In an interview with NPR, ?uestlove, says “the titles draw on William T. Vollmann’s Rising Up and Rising Down, a book about the psychological nature of violence. The album in sort of its political hand really deals with how humans will use violence before anything.” Listen to it once and you won’t be able to get the hot drum beat and smooth baseline out of your head…

The Roots (feat Chrisette Michele & Wale) – Rising Up!:

-Melissa

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Jam of the Day – Ruminations on Plies

Two years ago (June 5, 2007 to be exact), Slip-N-Slide Records released “Shawty,” the single from Florida rapper Plies that would go on the be a “Jam of the Week” on MTV, blasted all over the clubs and the radio, and basically in your ear all summer long. Plies is still recording (he’s currently working on a fourth studio album set to be released tentatively in the fall of ’09), but it’s always seemed to me that homeboy dropped what little skills he had on his first single, and everything else has been pretty wack. How many times can he spit “goon” and “bust it baby” in a song before people start to realize that his flow is staler than a pack of saltines stuck behind the couch since back in 2007 when “Shawty” first came out? Seriously, look at this dude:

Plies (from Wikipedia)

Plies (from Wikipedia)

Plies? More like PILES (of shit).

But still I must ask: Despite Plies’ quick decline due to lack of any discernible skills apart from being on the same label as Rick Ross at the right time, do you remember how hot “Shawty” was? I’m talking John Blaze ish. Well, it still is. I mean, you’ve got T-Pain talking about ringtones, singing the “Shawty” chorus really for the first time before he started using it in every song, Rick Ross kicking it, tossing girls in the pool… just summertime fun all around.

It’s ok. Go ahead and enjoy this.

Plies – Shawty (ft. T-Pain):

-Drew

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Jam of the Day – Das Racist Poll

For a while now I’ve been reading internet buzz about Das Racist, a self-described “WEED EDGE/HARE KRISHNA HARD CORE/ART RAP/FREAK FOLK MUSIC DUO.”

Das Racist @ Coco66 (photo by Katy Porter)

Das Racist @ Coco66 (photo by Katy Porter)

Hima Kumar and Victor Vazquez – who is also in the hot Brooklyn band Boy Crisis – have set their guns somewhere between “stoner-ridiculous, just-having-a-good-time, come on quit taking this so seriously” and “creat[ing] a comprehensive theoretical framework for understanding the impact of internalising core consumer culture ideals.” Na just kidding, I got that last quote here, but some people want to get all intellectual about Das Racist like that.

And so on the more serious tip, today Pitchfork reviewed a remix from Wallpaper for their track “Combination Pizza Hut and Taco Bell,” and I have to say that as much as Pfork can be crazy pretentious and over-the-top critical, the review strikes me as relevant in its grasp of the disparate reactions this song seems to elicit from listeners. Personally, I’m in the “DR fan” camp, but clearly others don’t necessarily agree, like this guy who called PH/TB “one of the worst songs I’ve heard.”

Now, I’m not trying to flip it and say that this is the best song ever, but I think that what Das Racist is doing to rap is similar to what The Onion does to news: making a critical statement about the state of society only in as much as that “statement” can be understood in the context of a joke. This is supposed to be funny, people. Get those panties fixed – they’re in a bunch! Only to underscore my point, look at this “News in Photos” piece from The Onion back in March 2008.

Why not listen and decide for yourself?

Das Racist – Combination Pizza Hut and Taco Bell (Wallpaper remix):

Then, cast a vote in our first ever poll!

-Drew

    UPDATE ON JUNE 10, 2009

Now Perez Hilton is linking to this song too. Getting major.

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